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May 09
2013
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Making Movies at Ringling
Jake Coleman, jake.coleman@srqmediagroup.com
Ringling College of Art and Design’s Outtakes Café was outfitted Tuesday with a host of media, donors, Asolo cast, film crew and two Sony Red cameras. The café served as a convenient store locale in the shooting of the initial scene of The Lucky 6, inaugurating the college’s summer feature film program. The annual program is a collaboration between Ringling and the FSU/Asolo Conservatory for Actor Training to create the opportunity to work together in producing financed, independent full-length film. It’s designed to supplement both schools' educational offerings by providing on-camera training and feature production experience. It’s essentially set up in an internship format; over the course of making a movie, participants are provided internship credit, free housing and food. “We have big goals: Ringling College being a big production center in Sarasota, and Sarasota becoming more fertile ground to lure Hollywood funded projects,” said Tony Stopperan, program director. “I think in building that infrastructure, we had to learn how we exist. We are learning how to do it so when bigger budgets come in we are an easy sell; Ringling College already makes feature length films, and they work with this great actor training if you’re looking to fill out your movie.” The program’s genesis stems from Stopperan’s experience as a Conservatory student. He was cast in a 20-minute short that provided him experience on camera and a two-minute reel to present to agencies. He credits this tangible tool with landing him jobs and an edge on the field. When he returned to Sarasota and worked for Ringling College, he approached Brad Battersby, head of Ringling College's digital filmmaking department, to relate his experience and concert toward translating that for the students. Battersby expressed the merit of student’s short film work, but it would be a national differentiator in a Ringling education if students were provided exposure to real deal feature-length projects. Stopperan could make that happen, so he took the role of producer and started raising money in mid-February. The films created in the program are non-profit, so those involved in supporting the project are not investors; they’re donors. The scheduled yearly budget is slated at $75,000, but due to the short notice, only $60,000 was available this year, enough to shoot the film but not to cover post-production. Earlier this week, Gulf Coast Community Foundation awarded a $5,000 grant to cover the back end and ensure the film’s completion. "This is an exciting program that supports two of Gulf Coast’s priorities in the arts: leveraging our regional assets for potential economic impact and better coordinating the efforts of arts and cultural organizations," said Teri Hansen, President and CEO. “It’s a wonderful collaboration, one that’s giving their students and actors unprecedented real-world experience.”






